2
0.0

今生今世

导演:
波·维德伯格
主演:
比亚·戴格玛克,托米·伯格伦,Lennart Malmer
别名:
未知
0.0
2人评分
其它
语言
1967-04-24
上映时间
未知
片长
简介:
讲述一对恋人鸳梦难圆的感伤故事,因采用莫扎特第二十一钢琴协奏曲慢板音乐为主题,使莫扎特这首曲子知名度猛增,以至于唱片商乐谱商出版该曲时,往往会标明“Elvira Madigan”

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简介:党的十一届三中全会后,年迈体衰的市委书记梁羽,向市委提出申请,准备退居第二线。可梁羽的妻子杨青蔚,却被市委人事变动的消息搞得心神不安,唯恐自己的丈夫职务变动后成为徒有其名的牌位,她为此四处活动,探听消息。 梁羽早已对妻子插手公事的做法不满,曾特意定了"约法三章",借此限制她的越轨行为。可是近来,他发现杨青蔚仍假借自己的名义干预公事,搞不正之风;还耳闻目睹小女儿塞北依赖他的特权,贪图享受,不求上进。为改变妻子、女儿的特权思想,梁羽决定开个家庭会议,帮助教育她们,并宣布自己的离休决定。不料,刚露风声,马上遭到妻子的强烈反对,她又哭又闹,梁羽百般劝解无效,家庭会议不欢而散。 杨青蔚为阻止丈夫离休,连夜来到市委第一书记肖朋家,无理要求市委不接受梁羽的离休报告。肖朋佯装厉色,据理相讥,使杨青蔚败兴而归。梁羽为摆脱妻子的纠缠,与长女燕北悄悄地离开家,到水利工地视察、采访。他一边视察水电站的建设情况,一边对市委书记的接班人、电站总指挥迟新方传授经验,做好让贤准备。 梁羽突然离家,急坏了杨青蔚,她表面上不动声色,实际上继续奔波。当活动连连受挫后,杨青蔚又生一计,打电报请来了母亲和哥哥,企图借他们一臂之力,扭转败局。梁羽的儿子梁晋和燕北积极支持父亲离休让贤,他们背着母亲偷偷地把外婆和舅舅接到肖朋家。梁羽和肖朋向老人讲真情,杨母坚决支持女婿梁羽。 伴随家庭的风波,社会也向梁羽施加种种压力。棉纺厂厂长李景德认为梁羽已经离休,无利可图,便强迫儿子允公与燕北解除婚约。杨青蔚为阻止丈夫离休,扬言要离开他。年迈体衰的梁羽,不堪过分刺激,心脏病突然发作。杨青蔚看到丈夫心脏病复发,开始悔恨自己的行为。在众亲朋的帮助和教育下,她认识了错误,全家人愉快地支持梁羽光荣离休。
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荣耀六十年
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更新时间:08月12日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
0
1938
荣耀六十年
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
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