皮毛

简介：史坦尼欧是一位在太平间值夜班的员工，然而他拥有一个不为人知的超能力──他能与死去的亡者交谈。某日，他意外从一具尸体的口中，得知了自己老婆的祕密，这个秘密将让他与家人都陷在死亡危机之中。

简介：Three friends on a backpacking trip find themselves stalked by a mysterious individual recording their every move.

简介：一个研究小组正在着手寻找一种可以推进医学研究数百年的植物。在绊倒前次探险的线索时，他们发现，雪人生物潜伏在喜马拉雅山脉中，并将采取任何措施保护其地形

简介：由詹姆斯·弗兰科、帕梅拉·罗曼诺夫斯基执导的惊悚片[研究院](The Institute，暂译)曝出首支预告。影片故事设定于19世纪，讲述一名少女来到一所研究院，发现这里的患者均秘密地遭受了惨无人道的对待。此番“腐兰兰”将扮演斯文正经略带神秘感的教授。该片北美定档3月3日。

简介：A man recently released from a mental institute inherits a mansion after his parents die. After a series of disturbing events, he comes to believe it is haunted.

简介：暂无

简介：金吉（凯瑟琳·伊莎贝尔 Katharine Isabelle 饰）和布里吉塔（艾米莉·帕金斯 Emily Perkins 饰）是情同手足的亲姐妹，两人之间的感情非常的深厚。一天，她们刚刚结束了一场疯狂的派对，走在深夜的路上准备回家，在这个节骨眼上，一群半人半兽的怪物突然出现袭击了姐妹两人，金吉身受重伤。　　可是，让布里吉塔没有想到的是，金吉身上的伤口很快就痊愈了，不仅如此，她的身上开始长出粗硬的毛发，本来温顺的性格也开始慢慢变得嗜血而残暴。为了帮助痛苦的金吉，布里吉塔向生物学家森（阿德里安·多瓦尔 Adrien Dorval 饰）求助，森震惊的发现，一些恐怖的变化正在发生在金吉的身上。

简介：露西（Mylène Jampanoï 饰）童年时被一神秘组织绑架，在那一年的黑暗岁月里，她饱受折磨。最终她趁守卫不注意逃脱，在孤儿院结识了新的朋友安娜（Morjana Alaoui 饰）。然而露西心灵受到严重创伤，她经常能够看到一个全身赤裸、伤痕累累的恐怖女人对她进行恐吓与追杀。露西就在恐慌与悲痛中度过了童年。　　15年后，经过一番追查，露西和安娜查到了当年的行凶者之一。露西将对方一家杀害，却仍无法摆脱童年的梦魇，最终在歇斯底里中自杀身亡。悲伤的安娜很快被那个神秘组织抓到，她将如朋友一样，被迫成为传说中的殉道者……

简介：几十年前，一对年幼的兄妹在自家的小屋里惨遭杀害，唯一可能犯案的，是当时在那里度假的寄宿学生，然而，因为证据不足，最终这群学生们未能被定罪，小屋案成为了未破的悬案，而当年负责此案件的警探卡尔（尼古拉·雷·卡斯 Nikolaj Lie Kaas 饰）也因此一蹶不振，这宗疑点重重的案件成为了他的一块心病。　　一晃眼几十年过去，当年的寄宿学生们已经长大成人，活跃在上流社会之中，虽然他们衣冠楚楚风度翩翩，但实际上，他们扭曲的心灵早就令这些人成为了野兽，唯有在杀戮中才能获得快感。当卡尔重拾曾经的悬案之时，危险也在一步一步的接近着他和他的家人们。

简介：艾德（Brian Presley 饰）、汉瑞（Jake Muxworthy 饰）和菲尔（Rider Strong 饰）是三个来自美国的大学生，又逢周末，青春躁动的大男孩们相约前往美国南部边境寻欢作乐。他们驱车来到到墨西哥北部一个叫曼泽塔的小镇，这里荒凉鬼魅、黯淡无光的景象似乎并未引起男孩们的主意，他们一门心思寻找酗酒以及艳遇的机会。　　当晚，三个家伙如愿以偿抱得美人归，一夜风流过后却发现，菲尔不见了踪影。艾德和汉瑞四处寻找，毫无下落，连警方也拒绝帮助。他们逐渐意识到，自己已经进入当地人精心编织的杀戮罗网之中……

简介：类似大岛渚的《感官世界》和亚历桑德罗·佐杜洛夫斯基的《鼹鼠El Topo》的混合，带有热态海岸的变态阴冷感

简介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.