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德国往事

导演:
山姆·贾巴尔斯基
主演:
莫里兹·布雷多,安婕·特拉乌,提姆·塞菲,马克·伊瓦涅,安纳托·陶布曼,帕尔·马可赛,约阿希姆·保罗·阿斯波克,乔尔·巴斯曼,杰夫·伯勒尔,塔妮娅·贾巴尔斯基,克里斯蒂安·米厄特克
别名:
未知
0.0
1人评分
其它
语言
2017-02-10
上映时间
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片长
简介:
1946年的法兰克福,一群逃过纳粹大屠杀的犹太幸存者,梦想到美国重新展开生活。能言善道的大卫为此召集友人,准备趁此艰难时期,一展自己三寸不烂之舌的推销才华,狠狠海削德国人一笔。眼看资金即将筹足,光明未来也就在不远处,大卫却被怀疑是纳粹帮凶而被召去问讯调查,他把过去说得天花乱坠、天衣无缝,但一切究竟是为了摆脱嫌疑,还是掩饰阴影?  德国名导山姆贾巴尔斯基继《洞里春光》后,又一部荒谬讽刺的社会喜剧。影片改编自德瑞小说家Michel Bergmann的作品,角色灵感源自作者亲友的亲身经历,深入刻划二战主题中鲜少被讨论的一群人──大屠杀过后仍居住在德国的犹太人们。面对战后人事全非的创伤,不悲情控诉,而豁达自嘲地以荒诞的德式幽默,回应难以被述说的辛酸历史。如果生活让人无法忍受,那么就用轻盈的谎言点缀它。

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丹麦小村教堂
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丹麦小村教堂
更新:08月12日
简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
2
1947
丹麦小村教堂