大火球

简介：정계를 떠나 하로동선이라는 이름의 식당을 운영하는 정치인이 그곳에서 겪는 여러 우여곡절을 다룬 영화.

简介：影片《莲开一夏》讲述了农业大学毕业生何花，放弃省城优越工作，回到家乡莲花村当了一名村官，用真诚和智慧，带领村民脱贫致富。

简介：周小敏（周慧敏 饰）一直梦想成为一名歌手，以实现亡母的心愿。与哥哥Sam（邵仲衡 饰）相依为命。经朋友小圣子（赵继纯 饰）介绍认识了周伟忠（郭耀明 饰）及阿标（朱永龙 饰），两个男孩都对小敏一见钟情。知道了小敏的梦想后，阿标他们几个愿意自己出钱让小敏出唱片，却因为与录音师发生争执导致小敏失明。当知道朋友们的举动后，小敏愤然离开后遭到绑架，原来是毒贩想在阿Sam的酒吧中兜售毒品，企图绑架小敏以作威胁……

简介：本片讲述导演自己的童年故事。一个9岁巴黎男孩因为母亲外出生孩子，在夏天被寄托到乡下一处友人家。这家夫妇虽然宠爱他，但各有怪癖，而且不停唠叨他们几年前去世的孩子。一个有男生性格的女孩使他从怪圈中逃脱出来，进而他也帮助那对夫妇克服丧子的痛楚。

简介：Five unmarried sisters make the most of their simple existence in rural Ireland in the 1930s.

简介：《帕罗奥图》的故事改编自弗兰科写的一本同名短篇小说集，由大导演弗朗西斯·科波拉的孙女吉亚·科波拉自编自导。　　　　影片主要围绕生活在加利福尼亚的一群人展开，这群人包括了足球教练（弗兰科 饰）、一个临时婴儿保姆（艾玛·罗伯茨 饰）和一对惹上麻烦的孩子（Jack Kilmer和Nat Wolff）。　　　　由预告片透露出的信息来看，在加利福尼亚的帕罗奥图这座小镇上，有寻爱的姑娘，有惹麻烦的男孩，也有两者兼顾的男人，而弗兰科便是这位“左右逢源”的男人，他在片中不但与年轻的罗伯茨之间有千丝万缕的情爱联系，也会参与年轻人的荒唐麻烦事。刚刚结束《春假》的弗兰科春心不减，本片看起来似乎略有一些轻口味《春假》的感觉。不过罗伯茨除了要与足球教练弗兰科情感纠葛之外，她与Jack Kilmer饰演的角色之间似乎也有扯不清的关系。　　　　虽然首款预告看不出什么故事苗头，但方·基默的出现不可不谓一份惊喜，作为主演之一的他在预告片中首次亮相的形式也颇让人忍俊不禁，相信他在片中的表现也会是影片的大亮点之一。

简介：久留美（新木优子 饰）出生在仙台，成年之后，她决定离开老家，和朋友一起前往东京，在那里开一家属于自己的咖啡店，然而，种种的意外让久留美的这个计划泡汤了，与此同时，久留美收到了外公阿健（大杉涟 饰）在家乡昏倒被送进了医院的消息，于是，她暂时放下了手中的事情和内心里的烦恼，返回了家乡。　　阿健也经营着自己的小店，不过大地震的发生令小店倒闭了。阿健入院后，他希望久留美能够代替自己，重新让小店开张，可是久留美是一个非常容易放弃的女孩，之前创业失败的经历也让她对开店充满了恐惧，在这种情况下，久留美可以完成阿健的委托吗？

简介：两年前，母亲（李娟 饰）的意外遇害，令李佳禾（邓恩熙 饰）的生活彻底“黑暗”起来。面对同学的霸凌和懦弱的父亲（吴国华 饰），少女佳禾逐渐养成了有仇必报的刚硬性格。一次车祸，她撞见了在工读学校表现良好而提前归来的“少年犯”于镭（李感 饰），寻求律师无果后，佳禾决心要在14岁生日之前完成自己的“未成年复仇计划”。她跟踪并伺机接近于镭，学喝酒、泡网吧，甚至和他身边的社会青年混成一片。终于，当机会到来时，她一步步陷入了危险与犯罪的边缘……

简介：CID的王警官(万辛良)是一名负责稽查毒品的警员。阮世强曾经是一个精明干练的杀手。阮世强的儿子及现任女友的妹妹都被黑社会的毒贩引诱吸毒而死。因此他十分痛恨香港毒贩。并且商业巨子的利用下开始追杀香港两大贩毒帮派的头目。王警官本是负责追查阮世强的，但看到阮所做的都是在帮助正义和警方。非但没有把阮缉拿归案，而且帮助阮一起与毒贩抗衡到底，形成了虎豹小子的好搭档……

简介：本片探讨七个大学室友从1960年代起的成长经历。大学毕业後，大家各奔前程，有的成为企业巨子，有的成为八卦报新闻记者，有人成为电视台星探、有的成为药商、有的则当了医生、有的成为律师、也有人成为家庭主妇。这次，在一个朋友的葬礼上，他们再次聚首，重新审视自己的人生。

简介：A narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.

简介：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.