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幽灵狙击手

导演:
姜景中、王文博
主演:
邹兆龙、徐申东、富梓铭、张浩然、孟久淇、柴浩、黄维
别名:
未知
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简介:
雷霆安保公司的幽灵小队在一次营救任务中所发生的故事,由队长林森(邹兆龙饰)带领的幽灵小队在接到营救任务后,火速出发前去展开救援,在与恐怖分子交手途中,顺利救下了此次任务目标南希教授(徐申东饰)准备开始撤离时,远处传来了小孩的哭喊声,小孩被关在牢笼里,即使他们知道这可能是敌人设下的陷阱,但队员们依旧不忍心放任不管,只好冒着危险再次折返赶去营救一个素未谋面的小孩,只听几声枪响,全军覆没......于伟(富梓铭饰)刚刚敲下小说《幽灵狙击》的一段文字,手机便响起,拨通电话的人正好叫幽灵,死寂般的五分钟过后,一声枪响,子弹穿破玻璃击中于伟的头,黑暗中,他再次醒来,却发现自己变成了林森并回到了十年前执行营救任务的这一天......究竟是平行世界还是昨日重现?这其中又将发生怎样的故事

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卧龙战警
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卧龙战警
更新:08月12日
简介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
2
1992
卧龙战警