生为蓝调

简介：隐匿江湖多年的柳余恨（杨世星 饰）突然现身，陆小凤（张智霖 饰）深感诧异。原来这与五十年前金鹏王朝遗留的稀世珍宝有关。陆小凤碍于金鹏王相求和上官飞燕（吴佳妮 饰）卷入此事，决定帮忙查找当年的三个叛臣，他很快找到关中珠宝阁大当家的严立本和峨嵋掌门严独鹤，但两人很快便死于西门吹雪（何润东 饰）和丹凤公主（吴佳妮 饰）剑下，二人的死使刚有眉目的线索戛然中断，事情变得扑朔迷离。紧接着花满楼（张智尧 饰）离奇失踪，丹凤公主也中毒身亡，通过缜密梳理，陆小凤发现求他办事的金鹏王竟然是个假冒者......

简介：1999年12月30日的洛杉矶陷入一片混乱，虽然警察三步一岗五步一哨，但各种恶性案件还是接连发生。伦尼是当地一名卸任警探，对这个人吃人的大都市有着透彻的了解。为了生活，只要有报酬的事他都做，但唯有杀人不干。但命运偏与他为难：为他做事的姑娘艾丽丝被谋杀，而且杀人者故意栽赃陷害他。眼下，只有马斯和麦克斯可以信赖。他们齐心协力要制服这个变态杀手...　　这部科幻动作片的创意来自大名鼎鼎的詹姆斯.卡梅伦，由他和杰伊.科克斯编写剧本，他们希望能创造出一个真实可信的人物，让观众能与其同呼吸共命运，同时也关注我们大家在世纪末共同面对的问题。

简介：今次故事發生於工廈區，一班音樂人及舞者為了較平租金已進駐工廈，漸漸形成一個藝術家社群，一天他們收到一份奇特的工作邀請，將於龍城工廈區定期表演。各人的仕途、家庭、人際關係以至愛情，均因參與這項計劃而發生變化，一場「義利間的鬥爭」隨即展開……

简介：动作片明星比利（李小龙&唐龙 饰）最近频频遭遇骚扰，原来邪恶集团头领兰德博士有意掌控在澳门举办的国际搏击大赛，希望比利能够入伙，然而比利的拒绝令他们怒火中烧。比利与歌星女友安一同出行，被兰德一伙截路殴打，比利决定奋起反抗，由于担心女友的安危只得忍耐。不久，比利在片场遭暗算，面部受创，随即将计就计放出死亡消息麻痹兰德。在搏击比赛期间，比利潜入澳门，将兰德的选手击溃，使其计划破产。随后比利孤身一人前往兰德团伙核心大楼，在层层挑战中讨伐仇敌……　　本片在李小龙去世后用他生前拍摄的片段补拍而成，大部分镜头中比利这一角色由唐龙扮演。

简介：A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, marries the younger, fiery Phaedra. When Alexis meets his stepmother, sparks fly and the two begin an affair. What will the Fates bring this family? Alexis's roadster and the music of Bach figure in the conclusion.

简介：故事发生在明嘉靖年间。平安镖局遭受了多年不遇的“走麦城”，押镖的一干人马在关外遭番兵掳劫，王兆兴（吴奇隆 饰）和谷平安（王鸥 饰）觉事情蹊跷，决定查明真相。在好友高翔（皇轩 饰）协助下，终于查明劫镖的是镇守边关的腾飞将军（海波 饰），这期间腾飞差人捕获了王兆兴，并嫁祸于他，谷平安联络众捕头，决定在行刑之日劫法场。不料行刑当日寡不敌众，谷平安等人被腾飞的军队制服。围观的老百姓早就对欺压百姓的腾飞军队恨之入骨，奋起与军队抗衡，众人合力将腾飞就地正法。死后的腾飞被朝廷追封，谷平安心中不服，但王兆兴的一番话让他顿然醒悟......

简介：丹麦夫妇 Louise 和 Kasper 搬到了一个与世隔绝的林中小村里，过上了远离现代文明的生活。Louise 很想但一个妈妈但似乎他们有生育方面的问题。Louise 最后说服了她的女佣 Elena 为他们代孕，Elena 的肚子一天天大起来了，但是事情变得越来越不对劲……

简介：杰瑞德·哈里斯将主演新片[勇敢面对黑暗](Brave The Dark，暂译)。本片由达米安·哈里斯执导，杰瑞德饰演的斯坦·迪恩是一名颇受欢迎的戏剧老师，他试图帮助一个任性的学生，同时还要处理他自己的问题。林恩·罗伯逊·海伊、戴尔·G·布拉德利为本片改编了约翰·P·斯宾塞的原创剧本。

简介：制作团队表示，他们在重新阅读《哈利·波特与混血王子》时产生了一些好奇和启发，原著小说里有一段是讲述邓布利多教授带着哈利·波特，一起观看来自家养小精灵郝琪的回忆，描绘了赫普兹巴·史密斯以及收藏的赫奇帕奇和斯莱特林遗物的线索。这部自制电影就从这个点延伸出去的拓展剧情。 早在2016年时就由独立制片工作室「Tryangle Films」筹划拍摄，靠着集资网站来募款筹措资金，虽然一度被拥有《哈利波特》系列版权的片商华纳兄弟以侵犯权为由要求下架，但经过制作团队多次的沟通和协商后，华纳终于确定全面放行。

简介：50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。　　In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.

简介：Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：一段惊悚的记忆，囚禁了15年…　　玛侬是个气质优雅的女人，她的过去像是一个谜，但是她的一切深深地吸引了雅的同事史帝芬。一切进展的很顺利，就在玛侬以为自己也可以享有幸福的时候，过去的噩梦却突然撞击她的生活，不知何时会是清醒的终点…　　玛侬无意中看到了那个让她一辈子都无法忘记的刺青，刻着字母刺青手臂带她回到了15年前天真浪漫的少女年代，一次无意的搭便车，却造成了一件悲剧，五个好朋友从此失去以往的亲密，只怕触碰到疼痛炙人的伤口；到底在那一年发生什麽事，让她们的青春变调？一切有可能重新来过或能走出自我囚禁的囚牢吗？