测量世界

简介：一个是具有封存他人记忆能力的少年，一个是可以任意提取记忆的怪异画师，他们的命运因为一颗神秘钻石和一个失忆少女，被扭结到一起。相生相克的超能力，在封存与提取的博弈中，揭开了一个个更大的残酷迷局……

简介：Netflix拿下杰森·席格尔、莉莉·柯林斯、杰西·普莱蒙主演的惊悚片[意外之财](Windfall，暂译)全球发行权，据悉该笔交易金额高达8位数美元。影片由莉莉的未婚夫查理·麦克道威尔执导，麦克道威尔、席格尔创作了故事，贾斯汀·莱德([爱的就是你])、安德鲁·凯文·沃克([七宗罪])共同撰写剧本。该片是一部希区柯克式的惊悚片，讲述了一对年轻夫妇来到他们的度假屋，却发现那里已被洗劫。该片已于今年早些时候杀青。

简介：一位来自驯鹿放牧家庭的年轻萨米女性为捍卫自己的生计和传统而奋斗。

简介：故事发生在1991年的韩国，玄静（河智苑 饰）是当年气势横扫全国的优秀乒乓球运动员，以打败中国赢得世乒赛冠军为目标，玄静做着不懈的努力和练习。就在比赛即将开始之时，玄静得知了一个惊人的消息，那就是她必须和来自朝鲜的乒乓球选手李粉姬（裴斗娜 饰）组成搭档，联合作战。　　朝鲜和韩国的关系一直以来都处于冰河时期，这突如其来的联手让玄静很是不能理解，无奈“军令难为”，她也只能服从，就这样，一段充满了坎坷的矛盾的合作路程开始了。生活作风和待人处事的习惯完全不同的玄静和李粉姬能够合作成功吗？她们又能否取得最后的胜利呢？随着赛程的逐渐接近，气氛变得越来越紧张起来。

简介：根據小說及80年代電視影集改編。記者卡琳娜調查暢銷作家賈克失蹤案，她打算靠這篇報導謀得一個重要的職位，但她挖得越多越不願公開。

简介：一个漂泊各地的男人来到一所旅馆当服务生，在这里他结识了美丽的女服务员Anna和性格古怪的刷盘工Gustav。Anna和Gustav有私情但非出于她自愿。Gustav潜藏着可怕的犯罪欲望，他给新来的这个服务生起名叫Giliap并教唆他帮助实施自己的一个劫囚计划。Anna爱上了Giliap并希望同他私奔但被Giliap拒绝。一天，Anna突然不告而别...　　瑞典著名导演罗伊·安德森（《二楼传来的歌声》《你还活着》）曾因此片票房与评论均惨败而25年未再导演长片。罗伊·安德森承认此片有缺陷，原因是他没有得到对影片的足够掌控权；同时他也表示，以当时观众的欣赏能力并不能接受这样一部稍显前卫的影片，一部与他的首部长片《纯爱故事》风格迥异的古怪影片。他还认为此片与随后上映的库布里克的《巴里·林登》一样出色。而以如今的眼光来看，这部片子作为cult类型便很容易让人接受。　　瑞典1996年的电视剧集《佩西·塔拉》中有一段评价瑞典电影的情节，片中人物认为伯格曼的《芬妮与亚历山大》十分平庸，而罗伊·安德森的《Giliap》才是过去25年里瑞典电影的唯一杰作。

简介：电影《十三陵传人之英雄本色》由宝琳诚创国际文化传播、北京电影学院音像出版社、百合欣欣影业共同打造，由北京电影学院导演系台湾籍留学生潘志远执导，青年喜剧演员许君聪、卜钰，网络红人姜彦希，电视剧女演员东阳、著名男模、演员翁卡特等倾力出演，讲述了风水师廖少展在帮助女设计师陈程程化解前世孽缘过程中产生的一系列趣事。　　《十三陵传人之英雄本色》是一部带有悬疑玄幻元素的喜剧，也是一部讲述风水大师如何降妖伏魔以及今生爱情与前世姻缘的故事。

简介：方力（楼云飞 饰）和其父方子良（万梓良 饰）因为觊觎毕哥（文熙 饰）家祖屋，和其提出一场爱情对赌。内容为：限定三个月内，毕哥成功帮助当地一富家千金萌萌（范薇 饰）走出感情隐瞒并且收获一段新的恋情为输赢。究竟谁赢谁输还未曾得知，文熙饰演的毕哥能够赢得方力， 这一切都吊足了影迷们的胃口。而女主角贝贝（沈璐 饰）至始至终从出谋划策到忍痛割爱也为她与男主角毕哥的爱情做了赌注。

简介：导演马可·伯格的第八部电影长片《Los Agitadores》现已杀青。　　“这部电影处理了一种在西方非常常见的现象，它是一种恐同和男性情色的混合。比如说那些足球运动员之间，他们常常赤裸相见，互相打闹并发生肢体接触，这是一个很愉快并暧昧的场景，但同时他们也处在一个很恐同的环境。我的新片讲的就是在这种同性色情和恐同情绪交织的特殊环境下所产生的暴力。这部电影叫Horse Play，将在2022年上映。”(北同文化采访)

简介：Mother, father and sister visit the adult son in the family in his small apartment for a dinner. The father gives one critical view after the other about his sons life.

简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

简介：1916年，阿拉伯大起义爆发。 英军中尉 Lawrence（Peter O'Toole 饰）受命登上阿拉伯半岛之后，决定带领阿拉伯人夺取亚喀巴。在穿越沙漠的过程中， Lawrence 力排众议孤身返回搭救了失踪的 Gasim（I.S. Johar 饰）。此举赢得了众人的尊敬，Ali ibn el Kharish（Omar Sharif 饰）沙里夫甚至让 Lawrence 换上了沙里夫的长袍，而 Lawrence 也欣然接受。可是阿拉伯部落间并不和睦，Harith 部的 Gasim 杀了 Howeitat 部的人，双方剑拔弩张。为了平息争端，Lawrence 亲手处决了 Gasim，而杀人的快感却让 Lawrence 感到不安。成功夺取亚喀巴之后，Lawrence 驼不停蹄地穿越西奈半岛回到开罗。Allenby（Jack Hawkins 饰）将军大喜过望，升 Lawrence 为少校，对其寄予厚望……