大汉风之谋士范增
1
0.0
大汉风之谋士范增
更新:08月12日
简介:秦朝末年,伴随着风起云涌的反秦斗争,思想文化领域也出现了激烈的交锋和激荡。为统一言论、维护中央集权,暴政的秦始皇极端残酷地推行“焚书坑儒”政策。就在一批批饱学之士被暴秦坑杀时,古稀之年、饱读诗书、极具智能的居士范增,自毁茅草庐舍,手执长剑、腰佩酒葫,义无返顾地投身到反秦的斗争旋涡之中。   张良是第一个见识范增长谋远略的人。为范增的踏歌所吸引,张良勒马驻足,与范增执棋对弈。黑白之间,范增关于天下局势的洞察,让张良暗自佩服。但张良毕竟不是将帅之才。在范增偶遇项梁、项羽叔侄后,范增被项梁拜为军师,跟随前后,左征右讨。范增的谋略让项梁如虎添翼,所向披靡。在叔父项梁对范增的谋略言听计从时,项羽却不以为然,甚至在范增意欲赶走虞姬时,两人的关系差点闹僵。   定陶一战,项梁置范增的劝阻而不顾,一意孤行地坚持趁胜追击秦国大将章邯,却不料在秦军援兵的夹击下被章邯挑落下马,因伤势严重不治身亡。临终前,深知侄儿脾气性格的项梁将项羽托予范增,并让项羽拜范增为亚父。刚刚失去叔父的项羽没有忘记叔父临终前的嘱托。在范增的帮助下,项羽率领大军“破釜沉舟”,以无往不胜的神勇气概在战场上节节胜利。正当项羽率军逼近关中时,却传来刘邦先期打进咸阳的消息。   彭城一别,项羽和刘邦有约在先,谁先打进咸阳,谁就是关中之王。对于刘邦的背信弃义,范增早就看出刘邦将是项羽称霸天下的一大障碍,并一再劝说项羽伺机除掉刘邦。刘邦退出咸阳,范增在项羽犹豫不决时,设下鸿门盛宴,准备借项庄舞剑助兴的机会杀掉刘邦,却被项羽的犹豫和刘邦的佯装醉酒得以逃脱。鸿门盛宴没能拿下刘邦,范增没能放过刘邦,在推举项羽自封西楚霸王后,建议分封刘邦为汉王,挟持了刘老太公和吕雉,将刘邦赶入不毛之地的蜀中。   此时的项羽因刚愎自用逐渐失去众多良将的拥戴。韩信、张良、陈平先后投奔刘邦没能引起项羽的反省,反而视范增的忠言劝进为噪耳唠叨。韩信“暗渡陈仓”帮助刘邦冲出蜀中,张良和陈平的离间妙计为刘邦赢得了获胜的先机。范增很快就失去项羽的信任。范增的佯装请辞,被项羽顺水推舟。范增悻悻而去,不久以抑郁的心情和风烛残年客死归途。消息传到霸王的帐中,留给项羽的,只有无尽的追悔,和离痛失天下为时不远的必然结局。
1
2005
大汉风之谋士范增
大汉风之胯下之辱
1
0.0
大汉风之胯下之辱
更新:08月12日
简介:春秋末年,军事重镇淮阴因地处水乡,成了秦始皇统一天下中沦落为亡国奴的世袭贵族们的栖身定居之所。一时间,韩国、齐国等亡国的世袭贵族在这里酒肉笙歌、苟且偷生,丝毫没有亡国的耻辱。在一群及时行乐的世袭贵族中,也有少数一些人忍辱负重,寻找复国雪耻的机会。其中,饱读兵书的韩信就是难能可贵的一个。  韩国灭亡后,身为韩国世袭贵族的韩信沦落街头,过着食不果腹、斯文扫地的生活。尽管如此,韩信始终没有忘记自己是韩国贵族的后裔,没有忘记复国雪耻的重任。尤其是在偶遇月姬后,得到月姬帮助和怜爱的韩信更是视救国雪耻为己任。月姬同为韩国世袭贵族,得知韩信救国雪耻的伟大抱负后,月姬不惜放下世袭贵族的尊严,鬻歌卖舞于街市,为韩信支撑起活下去的信念。  时逢乱世,能在淮阴苟延残喘地活下去都成问题,更别提希望韩信将来出人头地,风风光光地将自己娶进门、恢复其韩国贵族后裔的身份。但月姬没有这样想,而是用一个弱女子的坚韧默默地期待着那一天。这其间,韩信偶遇张良,张良眼见韩信是个难得的人才,就在月姬受到秦军非礼、意欲拔剑相向时,暗中阻止了韩信的冲动,并告诫韩信要忍辱负重,将来定有出人头地、建功立业的那一天。、  分别张良后的一天,韩信惜别月姬,却在淮阴街头被几个流氓恶霸所困。几欲脱身而不得时,韩信又动起了拔剑除霸的念头,但想起张良临别时的告诫和自己灭秦雪耻的理想,韩信最终隐忍不发,跪倒在恶霸流氓的面前,从恶霸的胯下爬过,算是了却一场不必要的纠缠,为日后成全大业留下一段“胯下之辱”的“笑柄”。  从淮阴出来,一个偶然的机会,韩信杀掉一名准备回秦营报信搬兵的官人,并提着秦军官人的脑袋投奔项梁大营。韩信灭秦雪耻的大志和文韬武略的将才非但没有引起项羽的重视,而且还在数次合理的建议和请兵作战中遭到项羽的耻笑,惟有一个执戟郎中的卑微身份,让韩信怀才不遇地继续留在项营等待机会。  项羽“破釜沉舟”,于巨鹿与秦军大将章邯决战。在数次攻城而不能迅速获胜时,项羽不顾范增和韩信接受章邯议和的建议,执意取章邯的人头为叔父报仇。为保存实力、壮大楚军,韩信和陈平用“屡有降军兵士出逃”一计,让项羽答应了章邯议和的请求。然而,为平衡项军和归降秦军的力量,项羽决定坑杀归降秦军二十万。看着项羽如此狭隘的心胸,韩信决然离开楚营,投奔汉营刘邦而去。
1
2005
大汉风之胯下之辱
冰刀
1
0.0
冰刀
更新:08月12日
简介:This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
1
1972
冰刀