生死拍档
0
0.0
生死拍档
更新:08月12日
简介:中文名生死拍档  外文名The partners  出品公司北京电影制片厂  发行公司北京电影制片厂  制片地区中国大陆  导    演江澄,成捷  编    剧江澄  类    型剧情  主    演李雪健,江澄,曲雁,张承好,郭涛  上映时间1994年  对白语言普通话  美国联邦调查局驻香港办事处负责人纳尔逊从手下监听到的电话里得到一份重要情报,一项印制假美元模具的交易近日即将举行。监听者是探员高雄。此时,高雄和他的拍档华克已开始调查,初步查出一个叫洪宝的属于“新安帮”的歹徒。  他们继续调查时,遭“新安帮”的袭击,华克以身殉职,高雄侥幸逃脱。  此后他在电话亭又遭袭击,他感到案情复杂,为替华克报仇,查清幕后黑手,高雄决定带一片缴获的模具,在警方配合下。追击“新安帮”歹徒来到大陆。“新安帮”头目蜀州勾结大陆犯罪分子制造假美钞,已引起警方的注意,负责侦破的李警长和高雄接上了头。高雄因办案心切,独闯黑帮团伙被绑架,李警长及时赶到,救了高雄,抓获了歹徒。高雄经过数次碰壁,决定取出模具,真心实意地和李警长合作。两人拟定了引蛇出洞的方案。高雄独身带模具去几尢蜀州,狡猾的蜀州指使手下镪哥取到模具杀掉高雄,但镪哥被高雄制服,只好带高雄去见蜀州。高雄见到蜀州,两人又展开决斗,李警长又一次为高雄解了围。李警长怀疑不时出现的神秘女郎叶君,和高雄定计探明她的身份。最后高雄发现她是联邦调查局的人,受人指使来杀他。李警长又一次救了高雄,放走了叶君。李警长和高雄成了生死拍档,他们设计了一个圈套,诱使“新安帮”上当。在一场正义与邪恶的较量中,“新安帮”歹徒被公安干警一网打尽,纳尔逊的内奸面目也暴露出来,叶君在经历了生死搏斗后爱上了高雄,但李警长却为掩护高雄,不幸中弹牺牲。  角色演员备注  李警长李雪健----  叶君曲雁----  高雄江澄----  镪哥郭涛----  蜀州张承好[1]----  ▪ 出品人:成志谷  ▪ 导演:江澄;成捷  ▪ 编剧:江澄  ▪ 摄影:傅靖生  ▪ 美术设计:杨万  ▪ 录音:来启箴;顾青  ▪ 监制:金小娟  总策划:宋晓英  策划:陈丁[2]
0
1994
生死拍档
刀锋走险
0
0.0
刀锋走险
更新:08月12日
简介:莱利原本是伊利诺伊州的一个快活青年,和女友伊莎贝尔已经谈婚论嫁,身边还有从小一起长大的好友苏菲、鲍勃和格雷。苏菲和鲍勃也准备结婚,而格雷却爱着伊莎贝尔。  战争到来,莱利和其他小伙子一样也参了军,虽然只是到野战医院开车,但目睹了战争的惨烈后,莱利的思想发生了变化。返回家乡后,他一再推迟了和伊莎贝尔的婚事,而理由竟是要花时间思考人生的意义。在伊莎贝尔舅舅埃利奥特的安排下,莱利被安排到巴黎去散心。6个月之后,伊莎贝尔到巴黎寻找自己的未婚夫,却发现莱利住在一个糟糕的地方,虽然心情不错,但她知道他不再可能回到美国做股票经纪人,过富足的生活了。早已习惯了富裕生活的伊莎贝尔摘下了莱利给她的订婚戒指,返回美国后嫁给了一直追求她的格雷。  莱利在巴黎靠干出卖体力的工作为生,他阅读大量的书籍,并因偶然的激励,决定前往印度寻找生命的真理。在印度和尼泊尔的路途中,他的精神得到了进一步的提升。返回巴黎后,他先后遇到了因美国经济萧条而到巴黎避难的伊莎贝尔和格雷夫妇,以及因车祸痛失丈夫和儿子、以卖笑为生的苏菲。  苏菲和莱利的亲近导致了伊莎贝尔的嫉妒,她刺激苏菲再次回想起丈夫和儿子,酗酒之后,苏菲被人用剃刀割断了喉咙……  舅舅埃利奥特生命垂危,莱利用一个善意的谎言让他幸福地睡去。离开舅舅的大房子,他决定返回美国老家。
0
1984
刀锋走险
巴斯克维尔猎犬
0
0.0
巴斯克维尔猎犬
更新:08月12日
简介:A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.  Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.  This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.  One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.  - JohnHowardReid, imdb
0
1937
巴斯克维尔猎犬